Over the past few weeks I’ve been sharing my process of developing a major portrait. I’ve composed a reference to work from, drawn out a study and finished the preliminary drawing on the board the painting is done on. After all of this work I finally began to apply the oil paint this week. This stage is always a little different for me. Sometimes I will do washes over the entire image with thin colour to paint into, sometimes I will do an entire rough painting in black, white and greys. I can only say that it depends on my mood and the mood of the painting because each method gives a different feeling to the act of painting. This time I am making a thickly painted and very developed first layer. Because this composition has a very architectural setting I want a gestural method of brushwork and a rich visual texture to the final work. The challenge will be to keep the freshness of this first paint through subsequent layers of refinement that is needed to develop the portrait.
I began with the architectural details and the space behind the figure so that I can have a physical sense of place and setting established while I am painting on the figure. I enjoy very much the sense of illusion in the work while I paint and use its development as a guide to measure when the piece is finished.
I am using only cold wax medium in the paint or sometimes brushed onto the board first as a layer to paint into.
By next Friday I should have the entire board covered in this first layer of paint.
Thanks for reading and see you next week!